染雾英语名著经典片段摘抄 篇一
The Great Gatsby - F. Scott Fitzgerald
In the early part of the novel, the protagonist, Jay Gatsby, throws extravagant parties at his mansion on Long Island. One particular evening, the narrator, Nick Carraway, attends one of these parties and describes the scene:
"The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier, minute by minute, spilled with prodigality, tipped out at a cheerful word. The party has begun."
This passage captures the essence of Gatsby's parties, which are known for their opulence and excess. The vivid imagery of the lights growing brighter and the orchestra playing creates a sense of excitement and grandeur. Fitzgerald's use of descriptive language, such as "yellow cocktail music" and "opera of voices," paints a picture of a lively and vibrant atmosphere.
Furthermore, the mention of laughter being spilled with prodigality and tipped out at a cheerful word emphasizes the carefree and indulgent nature of the party-goers. The phrase "The party has begun" symbolizes the start of a night filled with revelry and decadence.
Through this passage, Fitzgerald showcases the allure and allure of Gatsby's parties, highlighting the extravagant lifestyle and the pursuit of pleasure that characterizes the Roaring Twenties. It sets the stage for the rest of the novel, where the fa?ade of wealth and success is explored in depth.
英语名著经典片段摘抄 篇二
Pride and Prejudice - Jane Austen
One of the most memorable scenes in Pride and Prejudice is the first encounter between the two main characters, Elizabeth Bennet and Mr. Darcy. When Mr. Darcy is introduced to Elizabeth at a ball, he makes a disparaging comment about her within her hearing. Elizabeth, who is known for her wit and intelligence, retorts:
"I could easily forgive his pride, if he had not mortified mine."
This short but powerful line captures the essence of the complex relationship between Elizabeth and Mr. Darcy. It showcases Elizabeth's ability to hold her own in a conversation and her refusal to be cowed by Mr. Darcy's haughty demeanor.
The phrase "I could easily forgive his pride" reveals Elizabeth's understanding of human nature and her willingness to overlook flaws in others. However, the second part of the sentence, "if he had not mortified mine," shows that Elizabeth is not one to be taken lightly. She demands respect and will not tolerate being belittled.
This scene sets the stage for the development of Elizabeth and Mr. Darcy's relationship throughout the novel. It establishes the initial tension and conflict between the two characters, which will eventually give way to a deeper understanding and mutual respect.
Austen's choice of words and the sharpness of Elizabeth's retort demonstrate her mastery of dialogue and character development. This scene is a prime example of Austen's ability to create memorable and dynamic interactions between her characters.
In conclusion, these two excerpts from classic English literature showcase the power of language and the skill of the respective authors. From the lavish parties in The Great Gatsby to the sharp-witted banter in Pride and Prejudice, these passages provide a glimpse into the richness and depth of these beloved novels.
英语名著经典片段摘抄 篇三
The founders of a new colony, whatever Utopia of human virtue and happiness they might originally project, have invariably recognised it among their earliest practical necessities to allot a portion of the virgin soil as a cemetery, and another portion as the site of a prison.
In accordance with this rule, it may safely be assumed that the forefathers of Boston had built the first prison-house somewhere in the vicinity of Cornhill, almost as seasonably as they marked out the first burial-ground, on Isaac Johnsons lot, and round about his grave, which subsequently became the nucleus of all the congregated sepulchres in the old churchyard of Kings Chapel.
Certain it is that, some fifteen or twenty years after the settlement of the town, the wooden jail was already marked with weather-stains and other indications of age, which gave a yet darker aspect to its beetle-browed and gloomy front.
The rust on the ponderous iron-work of its oaken door looked more antique than any thing else in the New World.
Like all that pertains to crime, it seemed never to have known a youthful era.
Before this ugly edifice, and between it and the wheel-track of the street, was a grass-plot, much overgrown with burdock, pig-weed, apple-peru, and such unsightly vegetation, which evidently found something congenial in the soil that had so early borne the black flower of civilised society, a prison.
But, on one side of the portal, and rooted almost at the threshold, was a wild rose-bush, covered, in this month of June, with its delicate gems, which might be imagined to offer their fragrance and fragile beauty to the prisoner as he went in, and to the condemned criminal as he cam
e forth to his doom, in token that the deep heart of Nature could pity and be kind to him.
英语名著经典片段摘抄 篇四
Youll pass the churchyard, Mr Lockwood, on your way back to the Grange, and youll see the three graverestones close to the moor.
Catherines, the middle one, is old now, and half buried in plants which have grown over it.
On one side is Edgar Lintons, and on the other is Heathcliffs new one.
If you stay there a moment, and watch the insects flying in the warm summer air, and listen to the soft wind breathing through the grass, youll understand how quietly they rest, the sleepers in that quiet earth.
英语名著经典片段摘抄 篇五
To be, or not to be- that is the question:
Whether tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles, And by opposing end them.
To die- to sleep-No more; and by a sleep to say we end The heartache, and the thousand natural shocks That flesh is heir to.Tis a consummation
Devoutly to be wishd.To die- to sleep.To sleep- perchance to dream: ay, theres the rub!
For in that sleep of death what dreams may come When we have shuffled off this mortal coil,
Must give us pause.Theres the respect That makes calamity of so long life.For who would bear the whips and scorns of time,Th oppressors wrong, the proud mans contumely,The pangs of despisd love, the laws delay,
The insolence of office, and the spurns That patient merit of th unworthy takes,When he himself might his quietus make With a bare bodkin? Who would these fardels bear,To grunt and sweat under a weary life,
But that the dread of something after death-The undiscoverd country, from whose bourn No traveller returns- puzzles the will,And makes us rather bear those ills we haveThan fly to others that we know not of?Thus conscience does make cowards of us all,And thus the native hue of resolution
Is sicklied oer with the pale cast of thought,And enterprises of great pith and moment With this regard their currents turn awry And lose the name of action.
