简爱英语读后感 篇一
《简爱》是英国作家夏洛蒂·勃朗特的代表作之一,也是一部备受读者喜爱的经典小说。通过阅读这本小说,我被主人公简爱的坚强和勇敢所深深打动。
简爱是一个普通的女子,她没有出众的容貌,没有丰富的财富,但她拥有一颗坚定的心,追求自己的真实和自由。在小说中,简爱面临着各种困难和挑战,但她从不退缩,始终保持着对自己的坚持。她勇敢地离开了虐待她的家庭,进入了洛威德府,成为罗切斯特先生的家庭教师。在这里,她不仅获得了知识和技能的培养,也收获了真爱和尊重。尽管她深爱着罗切斯特先生,但当她发现他已经有妻子时,她选择了离开。她宁愿失去一切,也不愿意背叛自己的良知和原则。
简爱的坚强和勇敢给我带来了很多启示。在现实生活中,我们也会面临各种各样的困难和挑战,但是我们不能放弃追求自己的梦想和真实。简爱告诉我们,只有坚持和勇气才能战胜困难,实现自己的价值。无论外界环境如何,我们都要相信自己,坚持自己的选择,不被他人的眼光左右。与此同时,简爱也教会了我要保持真实和自由。在追求成功的过程中,我们不能迷失自己,要保持自己的独立思考和独特个性。只有这样,我们才能找到真正属于自己的幸福和满足。
通过阅读《简爱》,我深刻体会到了坚持和勇气的重要性。无论面对什么困境,我们都要保持对自己的坚信,不轻易放弃。只有这样,我们才能真正实现自己的梦想和追求。简爱的故事给予了我很多的启示和勇气,我会将其融入到我的生活中,努力追求自己的真实和自由。
简爱英语读后感 篇二
《简爱》这本小说是我读过的最感人的小说之一。通过阅读这本小说,我不仅感受到了作者的深情和智慧,也被主人公简爱的坚韧和勇敢所打动。
简爱是一个普通的女子,没有出众的容貌和财富,但她拥有一颗坚定的心。她从小生活在一个虐待她的家庭中,没有受到父母的关爱和尊重。然而,她并没有因此沮丧和绝望,相反,她选择离开家庭,进入洛威德府成为家庭教师。在那里,她遇见了罗切斯特先生,一个粗鲁但有魅力的男人。她深爱着他,愿意为他付出一切。然而,当她发现他已经有妻子时,她毅然决然地离开了。她宁愿放弃一切,也不愿意背叛自己的良知和原则。
简爱的坚强和勇敢给了我很多的启示。在现实生活中,我们也会面临各种各样的困难和挑战,但是我们不能放弃追求自己的梦想和真实。简爱告诉我们,只有坚持和勇气才能战胜困难,实现自己的价值。无论外界环境如何,我们都要相信自己,坚持自己的选择,不被他人的眼光左右。与此同时,简爱也教会了我要保持真实和自由。在追求成功的过程中,我们不能迷失自己,要保持自己的独立思考和独特个性。只有这样,我们才能找到真正属于自己的幸福和满足。
通过阅读《简爱》,我深刻体会到了坚持和勇气的重要性。无论面对什么困境,我们都要保持对自己的坚信,不轻易放弃。只有这样,我们才能真正实现自己的梦想和追求。简爱的故事给予了我很多的启示和勇气,我会将其融入到我的生活中,努力追求自己的真实和自由。
简爱英语读后感 篇三
Jane Eyre is a young orphan being raised by Mrs. Reed, her cruel, wealthy aunt. A servant named Bessie provides Jane with some of the few kindnesses she receives, telling her stories and singing songs to her. One day, as punishment for fighting with her bullying cousin John Reed, Jane’s aunt imprisons Jane in the red-room, the room in which Jane’s Uncle Reed died. While locked in, Jane, believing that she sees her uncle’s ghost, screams and faints. She wakes to find herself in the care of Bessie and the kindly apothecary Mr. Lloyd, who suggests to Mrs. Reed that Jane be sent away to school. To Jane’s delight, Mrs. Reed concurs.
Once at the Lowood School, Jane finds that her life is far from idyllic. The school’s headmaster is Mr. Brocklehurst, a cruel, hypocritical, and abusive man. Brocklehurst preaches a doctrine of poverty and privation to his students while using the school’s funds to provide a wealthy and opulent lifestyle for his own family. At Lowood, Jane befriends a young girl named Helen Burns, whose strong, martyrlike attitude toward the school’s miseries is both helpful and displeasing to Jane. A massive typhus epidemic sweeps Lowood, and Helen dies of consumption. The epidemic also results in the departure of Mr. Brocklehurst by attracting attention to the insalubrious conditions at Lowood. After a group of more sympathetic gentlemen takes Brocklehurst’s place, Jane’s life improves dramatically. She spends eight more years at Lowood, six as a student and two as a teacher.
After teaching for two years, Jane yearns for new experiences. She accepts a governess position at a manor called Thornfield, where she teaches a lively French girl named Adèle. The distinguished housekeeper Mrs. Fairfax presides over the estate. Jane’s employer at Thornfield is a dark, impassioned man named Rochester, with whom Jane finds herself falling secretly in love. She saves Rochester from a fire one night, which he claims was started by a drunken servant named Grace Poole. But because Grace Poole continues to work at Thornfield, Jane concludes that she has not been told the entire story. Jane sinks into despondency when Rochester brings home a beautiful but vicious woman named Blanche Ingram. Jane expects Rochester to propose to Blanche. But Rochester instead proposes to Jane, who accepts almost disbelievingly.
The wedding day arrives, and as Jane and Mr. Rochester prepare to exchange their vows, the voice of Mr. Mason cries out that Rochester already has a wife. Mason introduces himself as the brother of that wife—a woman named Bertha. Mr. Mason testifies that Bertha, whom Rochester married when he was a young man in Jamaica, is still alive. Rochester does not deny Mason’s claims, but he explains that Bertha has gone mad. He takes the wedding party back to Thornfield, where they witness the insane Bertha Mason scurrying around on all fours and growling like an animal. Rochester keeps Bertha hidden on the third story of Thornfield and pays Grace Poole to keep his wife under control. Bertha was the real cause of the mysterious fire earlier in the story. Knowing that it is impossible for her to be with Rochester, Jane flees Thornfield.
Penniless and hungry, Jane is forced to sleep outdoors and beg for food. At last, three siblings who live in a manor alternatively called Marsh End and Moor House take her in. Their names are Mary, Diana, and St. John (pronounced “Sinjin”) Rivers, and Jane quickly becomes friends with them. St. John is a clergyman, and he finds Jane a job teaching at a charity school in Morton. He surprises her one day by declaring that her uncle, John Eyre, has died and left her a large fortune: 20,000 pounds. When Jane asks how he received this news, he shocks her further by declaring that her uncle was also his uncle: Jane and the Riverses are cousins. Jane immediately decides to share her inheritance equally with her three newfound relatives.
St. John decides to travel to India as a missionary, and he urges Jane to accompany him—as his wife. Jane agrees to go to India but refuses to marry her cousin because she does not love him. St. John pressures her to reconsider, and she nearly gives in. However, she realizes that she cannot abandon forever the man she truly loves when one night she hears Rochester’s voice calling her name over the moors. Jane immediately hurries back to Thornfield and finds that it has been burned to the ground by Bertha Mason, who lost her life in the fire. Rochester saved the servants but lost his eyesight and one of his hands. Jane travels on to Rochester’s new residence, Ferndean, where he lives with two servants named John and Mary.
At Ferndean, Rochester and Jane rebuild their relationship and soon marry. At the end of her story, Jane writes that she has been married for ten blissful years and t
hat she and Rochester enjoy perfect equality in their life together. She says that after two years of blindness, Rochester regained sight in one eye and was able to behold their first son at his birth.
简爱英语读后感 篇四
This is a story about a special and unreserved woman who has been exposed to a hostile environment but continuously and fearlessly struggling for her ideal life. The story can be interpreted as a symbol of the independent spirit.
It seems to me that many readers’ English reading experience starts with Jane Eyer. I am of no exception. As we refer to the movie “Jane Eyer”, it is not surprising to find some differences because of its being filmized and retold in a new way, but the spirit of the novel remains----to be an independent person, both physically and mentally.
Jane Eyer was a born resister, whose parents went off when she was very young, and her aunt,the only relative she had,treated her as badly as a ragtag. Since Jane’s education in Lowwood Orphanage began, she didn’t get what she had been expecting——simply being regarded as a common person, just the same as any other girl around. The suffers from being humiliated and devastated teach Jane to be persevering and prize dignity over anything else.As a reward of revolting the ruthless oppression, Jane got a chance to be a tutor in Thornfield Garden. There she made the acquaintance of lovely Adele and that garden’s owner, Rochester, a man with warm heart despite a cold face outside. Jane expected to change the life from then on, but fate had decided otherwise: After Jane and Rochester fell in love with each other and got down to get marry, she unfortunately came to know in fact Rochester had got a legal wife, who seemed to be the shadow following Rochester and led to his moodiness all the time ----Rochester was also a despairing person in need of salvation. Jane did want to give him a hand, however, she made up her mind to leave, because she didn’t want to betray her own principles, because she was Jane Eyer. The film has finally got a symbolist end: Jane inherited a large number of legacies and finally returned. After finding Rochester’s misfortune brought by his original mad wife, Jane chose to stay with him forever.
I don’t know what others feel, but frankly speaking, I would rather regard the section that Jane began her teaching job in Thornfield as the film’s end----especially when I heard Jane’s words “Never in my life have I been awaken so happily.” For one thing, this ideal and brand-new beginning of life was what Jane had been imagining for long as a suffering person; for another, this should be what the audiences with my views hoped her to get. But the professional judgment of producing films reminded me to wait for a totally different result: There must be something wrong coming with the excellence----perhaps not only should another section be added to enrich the story, but also we may see from the next transition of Jane’s life that “Life is like a box of chocolates, you never know what you would get.” (By Forrest Gump’s mother, in the film “Forrest Gump”)
What’s more, this film didn’t end when Jane left Thornfield. For Jane Eyer herself, there should always be somewhere to realize her great ideal of being independent considering her fortitude, but for Rochester, how he can get salvation? The film gives the answer tentatively: Jane eventually got back to Rochester. In fact, when Jane met Rochester for the first time, she scared his horse and made his heel strained, to a certain extent, which meant Rochester would get retrieval because of Jane. We can consider Rochester’s experiences as that of religion meaning. The fire by his frantic wife was the punishment for the cynicism early in his life. After it, Rochester got the mercy of the God and the love of the woman whom he loved. Here we can say: human nature and pinity get united perfectly in order to let such a story accord with the requirements of both two sides. The value of this film may be due to its efforts to explore a new way for the development of humanism under the faith of religion.
Life is ceaselessly changing, but our living principles remain. Firmly persisting for the rights of being independent gives us enough confidence and courage, which is like the beacon over the capriccioso sea of life. In the world of the film, we have found the stories of ourselves, which makes us so concerned about the fate of the dramatis personae.
In this era of rapid social and technological change leading to increasing life complexity and psychological displacement, both physical and mental effects on us call for a balance. We are likely to find ourselves bogged down in the Sargasso Sea of information overload and living unconsciousness. It’s our spirit that makes the life meaningful.
Heart is the engine of body, brain is the resource of thought, and great films are the mirrors of life. Indubitably, “Jane Eyer” is one of them.